Grace Lillian Lee’s Weaving Is A Celebration of Cultural Identity

Lee’s most recent collection, titled the “The Dream Weaver,” features shapely dresses and tops that double as graphic art pieces; the pieces are entirely hand-woven in an array of bright colors, all made using over 5 kilometers of cotton webbing. “Each piece is different, and how long it takes depends on the materials and design,” says Lee. Her masterful approach to twisting and intertwining fabrics into wearable designs is not a skill she just learned by herself: she also credits her mentor of over 10 years. “This traditional weaving technique was taught to me by Dr. Uncle Ken Thaiday Snr.,” she says. “He has been an incredible guide, helping me learn and celebrate my culture through this practice.”

Each of Lee’s vibrant pieces are made to order. “They are bold, sculptural, and often otherworldly in form,” says Lee. “For me, these pieces act like armor—embodying strength, respect, and a deep connection to my culture and identity.” Think of them less as everyday clothes, and more as wearable art. In fact, The works are so striking, that Lee expanded them into a special art exhibition, debuted at last year’s Brisbane Festival, titled The Dream Weaver: Guardians of Grace. “The exhibition featured eight ethereal shields and armors, each representing a focus on my totem, Koysemer (moth), symbolizing transformation and the eternal connection to my ancestors,” she says. “The works were [photographed] on the salt flats of the Gangalidda Garawa people’s land. I collaborate closely with local models, working collectively to bring these creations to life by embodying the practice itself.”

For Lee, her singular weavings are not only created to provide bold fashion statements. “I am now passing on this knowledge by training other weavers to work in this bespoke method, which not only preserves but also strengthens our cultural heritage,” she says. “I see it as an important and meaningful way to bring people together and keep our traditions alive.” Lee also hopes her one-of-a-kind designs will change people’s perceptions around Indigenous design. “My designs aim to push boundaries, creating a space where Indigenous cultures are not just included but celebrated, and where fashion becomes a vehicle for cultural expression and empowerment.”